Think of it as a metaphor for the structure of a book. The planking is the setting or background, the frame is the concept - the single, illuminating idea - on which your narrative is based, the broken glass is the way in which you subvert your original idea with a change of perspective or an unforeseen plot twist, while the brick wall could be the kernel of truth at the centre of your story, or the glimpsed heart of darkness, or the end of the road for one of your characters, or the suggestion of the existence of another world beyond the one you are currently exploring.
What I think the picture illustrates is the fact that writing a novel is not an entirely linear process, although most plots need a beginning, middle and an end. The task for the writer is to build up layers – you don't establish the background, then introduce a character, then set the plot in motion – the challenge is to do all of them at the same time, rather than sequentially.
If you want a writing work-out for the weekend, try writing a scene with this in mind. Approach it as if you were painting a picture. While you are filling in some of the background, think how the figures relate to the fictional landscape you are creating - are they central to the composition, or are they doing something intriguing in the margins; do they blend in or stand out; do they attract or repel? Your lit pic might allude to some action taking place just beyond what is currently visible, to give a sense of onward momentum. Perhaps you could frame your scene, setting it in a context that counterpoints or highlights the picture you have drawn. None of this is easy to do, but if you can pull it off it is a way to synthesize what you have written and it should lend a satisfying depth and texture to your work.
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