Vogler starts from the premise that a narrative is activated when the hero is called to adventure. See -- already you have something that you can apply to your own work! Why not write the opening scene of a story in which a dream, an accident, a coincidence, a revelation, a loss or a warning acts as a catalyst to spurring the hero into action and setting the plot in motion. You could try it several times over, experimenting with different calls - try them all -- and you'll find that you have the material for a whole raft of writing. And that's just the start of it...
I think you can't beat a good door as a call to adventure, or a call to something, or someone....
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